My Life as Erica B.

I'm into random weird shit.

txchnologist:

3-D Interactive Display Uses Fog As Screens

Engineers have built an interactive display using a tabletop system and mounted personal screens made of fog. Projectors light the fog for each user and a camera system monitors movements, allowing each person at the table to manipulate and share three-dimensional data.

A team at the University of Bristol in the UK say their device, called MisTable, is see-through and reach-through. Both fog screens and the table display can be manipulated by users.

"The personal screen provides direct line of sight and access to the different interaction spaces," said Sriram Subramanian, a professor of human-computer interaction. "Users can be aware of each other’s actions and can easily switch between interacting with the personal screen to the tabletop surface or the interaction section. This allows users to break in or out of shared tasks and switch between individual and group work."

Compare this to the Displair, by Russian inventor Maxim Kamanin. See the MisTable video below.

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(via we-are-star-stuff)

f-l-e-u-r-d-e-l-y-s:

Rebecca Stevenson’s Surrealist Macabre Sculptures

Rebecca Stevenson’s figurative sculptures are both eerie and beautiful. Using primarily polyresin and wax, her concept usually begins with a human or animal figure cast in a subdued monochromatic color that then appears to blossom or decay with varieties of multi-colored surreal compounds. These blossoms almost consume the figures, resulting in provocative, surreal sculptures. Her work embodies the process of creation and destruction, revealing the beauty that emerges from this organic cycle. Some of it reminds me of walking around farm pastures when I was younger, and discovering various animal skulls that the grass had begun to climb through. If her work is disturbing, it is only because it doesn’t try to mask the macabre beauty of the growth/decay process. ”My work is concerned with the visceral and the sensual. It draws upon anatomical drawing and botanical illustration, but occupies a liminal territory between scientific enquiry and the subjective, imaginary body.”

(via bryanchvzz)